Slayyyter - Sold out

Slayyyter macht Pop, der sich nicht an Regeln hält. Zwischen Hyperpop und rauen Einflüssen hat sie ihren eigenen Sound gefunden. Die Show im Huxleys Neue Welt ist restlos ausverkauft. Wer ein Ticket hat, sieht eine Performance, die zwischen Rebellion und Ekstase pendelt. Die Künstlerin verarbeitet Einflüsse von Punk bis Rap zu einem neuen Ganzen. Es ist eine konsequente Weiterentwicklung ihrer bisherigen Arbeit.

Die Show wird vom Metropol ins Huxleys verlegt. WOR$T GIRL IN THE WORLD TOUR From her breakthrough 2019 self-titled mixtape to her 2021 debut Troubled Paradise and 2023’s STARFUCKER, SLAYYYTER proved herself to be one of the great shape-shifters of our time, taking the past, present, and future of pop and twisting it to her will. Early successes — “Daddy AF” went from viral hit making SLAYYYTER’s name online to soundtracking a key scene in the Oscar Best Picture winner Anora — fueled accolades from publications including Billboard, Paper, Variety, Rolling Stone, Pitchfork, and more, while earning SLAYYYTER opening slots with forebears like Tove Lo and Kesha. But even with all that, SLAYYYTER decided something wasn’t quite right. She decided to become who she was all along, underneath it all: the WOR$T GIRL IN AMERICA. SLAYYYTER’s third album is the most authentically her, while also boasting her most fully realized creative direction yet. She revisited her upbringing in St. Louis, and decided to make “iPod music” — a free-for-all of feral punk, corroded pop, and raunchy rap — conjuring the “Midwest-core tweaker bar rat” characters of her youth. Early singles “BEAT UP CHANEL$,” “CANNIBALISM!,” and “CRANK” steadily built hype for the project over the course of 2025, with fans fervently embracing the raw, swaggering Slayyyter that emerged from the ashes of her past selves. WOR$T GIRL IN AMERICA is both revelation and evolution, killing the SLAYYYTER we thought we knew so SLAYYYTER could be born for real.